Keep On Movin'
by Alexia - Keep On Movin' is a 1998 production on Dance Pool Records. The writing is credited to Alexia. Production duties were handled by Robyx.
About this track
Keep On Movin' is a 1998 production on Dance Pool Records. The writing is credited to Alexia. Production duties were handled by Robyx.
- Released: 1998 (verified via Discogs)
- Written by: Alexia
- Produced by: Robyx
Lyrics
Lyrics via Lyrics API (lyrics.ovh). For personal reference only.
Airplay
Plays per week (last 8 weeks):
First logged play: 2026-06-24 · last: 2026-09-12.
On air this track is typically mixed at 126.1 BPM (observed range 124.5 - 128.3 BPM, based on 8 plays; catalog 126.15 BPM, i.e. pitched -1.7 to 2.1 BPM on air).
What mixes well with this track
Tracks that were actually mixed directly before or after this one in the MixPerfect Radio non-stop mix (8 plays). Every transition is beat-matched within the station's ±3 BPM window and is always 32 beats. The element badge marks transitions that also satisfy the engine's rule of no overlapping bass / melody / vocals.
Before this track
- Stefano E Bene FEAT. Fred Ventura - All For You 1x 125.0 BPM 2014 element ✓
- D'agostino Planet - Melody Voyager 1x 127.1 BPM 1995 element ✓
- Glam - Hell's Party 1x 129.9 BPM 1992 element ✓
- Rat Atà - Rap In Ha 1x 130.0 BPM 1988 element ✓
- Vivien Vee - Heartbeat 1x 127.5 BPM 1987 element ✓
- Marx & Spencer - Stay (Remix) 1x 126.0 BPM 1986 element ✓
- Felli - Greatest Mind 1x 125.9 BPM 1984 element ✓
- Ka-Zan - Give Me Your Heart 1x 124.5 BPM 1986 element ✓
After this track
- Larabell - Passion 1x 126.0 BPM 2013 element ✓
- Monika Novak - I Want You Back 1x 124.0 BPM 2010 element ✓
- The Max Him - Melanie (Remix) 1x 130.1 BPM 1986 element ✓
- Mirka - Gimme Flowers 1x 127.3 BPM 1990 element ✓
- Joe Yellow - Lover To Lover 1x 127.1 BPM 1983 element ✓
- Superlove - One Day 1x 124.1 BPM 1989 element ✓
- Proxyon - Voyage Home 1x 124.9 BPM 1993 element ✓
- Click - Que Te Pasa (Remix) 1x 123.8 BPM 1989 element ✓
Small sample — these are observed connections from the airplay log, not recommendations.
BPM & mixability
At 126.15 BPM this track suits club-oriented DJ mixing, and as a 1998 release it belongs to the 90s dance era. The station's mix engine beat-matches every transition within ±3 BPM of the house tempo, so this tempo fits comfortably in the mix.
Intro & break structure
How this record is shaped for DJ mixing, from the MixPerfect Radio catalog data.
Intro
Time: 00:30.470 - 00:45.691
Elements: VocalsMelodyBeats
Break
Time: 04:11.159 - 04:26.378
Elements: VocalsBeats
Skip region: 02:09.404 - 03:40.720 (the section that is cut to shorten the track)
On-air play time (in the mix): 02:09.372 - calculated from the catalog structure the way the radio engine does (break end + break-loop repeats, minus intro overlap and the skip region).
Transitions are always 32 beats, beat-matched within the station's ±3 BPM window. Loops provide extra material within that window.
Frequently asked questions
More from Alexia
- Number One (1996)
- Summer Is Crazy (1996)
- Summer Is Crazy (Remix) (1996)
- Uh La La La (1997)
- Gimme Love (1998)
- The Music I Like (1998)
- Goodbye (1999)
- Goodbye (Remix) (1999)
- Happy (1999)
- Ti Amo Ti Amo (2000)
Similar tracks
- East Side Beat - You Are My Everything (126.18 BPM)
- Mario Piu' Club - Your Love (126.18 BPM)
- Angels - I Will Never Love You Again (126.09 BPM)
- Bit Max - Can You Feel It Babe (126.09 BPM)
- Wienna - Victim (126.08 BPM)
- Quiki FEAT. Lisa - Together (126.08 BPM)
- Divina - Just One More Minute (126.07 BPM)
- Dance Floor Girls - Dance With Me (126.23 BPM)
Sources
Factual information on this page was researched using the following sources:
- Wikipedia
- Data provided by Discogs.
- MusicBrainz
- Lyrics: Lyrics API (lyrics.ovh)
Release data (year, label, catalog number, country) comes from the original records in the MixPerfect Radio catalog. The text on this page is an original summary based on independently selected factual information; no source text has been reproduced. Facts may contain errors - see the legal information page for the full disclaimer.
