Danger
by The Flirts - Danger is a 1983 production on Unidisc Records. The writing is credited to Bobby Orlando. Production duties were handled by Bobby Orlando.
About this track
Danger is a 1983 production on Unidisc Records. The writing is credited to Bobby Orlando. Production duties were handled by Bobby Orlando.
- Released: 1983 (verified via Discogs)
- Written by: Bobby Orlando
- Produced by: Bobby Orlando
Airplay
Plays per week (last 8 weeks):
First logged play: 2026-05-30 · last: 2026-08-16.
On air this track is typically mixed at 129.0 BPM (observed range 127.0 - 130.9 BPM, based on 11 plays; catalog 129.43 BPM, i.e. pitched -2.5 to 1.5 BPM on air).
What mixes well with this track
Tracks that were actually mixed directly before or after this one in the MixPerfect Radio non-stop mix (11 plays). Every transition is beat-matched within the station's ±3 BPM window and is always 32 beats.
Before this track
- Madeline - Lascia Suonare La Musica 1x 124.9 BPM 1994
- J&B - Moonlight 1x 128.1 BPM 1998
- Logical U FEAT. Carol - True Love 1x 130.0 BPM 1999
- Carol Bailey - I Can't Make U Love Me 1x 127.2 BPM 1996
- Censura - Hai Il ... Corto 1x 127.8 BPM 1994
- Proper Filthy Naughty - Fascination 1x 127.9 BPM 2003
- Deep Zone FEAT. Ceybil Jefferies - It's Gonna Be Alright (Help Is On The Way) 1x 128.0 BPM 1995
- Alpha Town - Runaway 1x 130.2 BPM 1992
- Mela - Everytime You Make Me Right 1x 129.4 BPM 1989
- Alphatown - Hot Stuff 1x 129.9 BPM 1989
After this track
- Soerba - I Am Happy (Club Remix) 1x 132.2 BPM 1998
- Neja - Restless 1x 128.0 BPM 1998
- Zombie Nation - Kernkraft 400 (Live Remix) 1x 128.4 BPM 1999
- Busker - I Want To Be Free 1x 129.7 BPM 1999
- DJ Maker VS. Sensitive - Summer Time 1x 129.8 BPM 1998
- Michael Bow - Love & Devotion 1x 133.9 BPM 1986
- Sphinx - Bad Girl 1x 130.0 BPM 1983
- Lu Colombo - Skipper 1x 129.7 BPM 1982
- Digital Emotion - Don't Stop 1x 128.8 BPM 1983
- Splashgang - Come Take My Love 1x 127.1 BPM 1989
Small sample — these are observed connections from the airplay log, not recommendations.
BPM & mixability
At 129.43 BPM this track suits club-oriented DJ mixing, and as a 1983 release it belongs to the 80s golden era of Italo / Euro disco. The station's mix engine beat-matches every transition within ±3 BPM of the house tempo, so this tempo fits comfortably in the mix.
Intro & break structure
How this record is shaped for DJ mixing, from the MixPerfect Radio catalog data.
Intro
Time: 00:24.149 - 00:38.978
Elements: MelodyBeats
Break
Time: 03:55.512 - 03:59.223
Loop: 03:57.368 - 03:59.223 (6× · each 00:01.855)
Elements: MelodyBeats
Skip region: 01:54.538 - 03:55.048 (the section that is cut to shorten the track)
On-air play time (in the mix): 01:30.866 - calculated from the catalog structure the way the radio engine does (break end + break-loop repeats, minus intro overlap and the skip region).
Transitions are always 32 beats, beat-matched within the station's ±3 BPM window. Loops provide extra material within that window.
Frequently asked questions
More from The Flirts
- Calling All Boys (Special Remix) (1982)
- Passion (Special Import Remix) (1982)
- Jukebox (Don't Put Another Dime) (1983)
- Helpless (1984)
- Passion (Ben Liebrand Remix) (1984)
- Physical Attraction (1985)
Similar tracks
- Nick John - We Stand Together (129.44 BPM)
- Susan Stevens - I Love Everything You Do (129.46 BPM)
- Nick John - We Stand Together (129.38 BPM)
- Gil De La Paz - I Wanna Live (129.50 BPM)
- Cafe Society - Somebody To Love (129.35 BPM)
- Digital Emotion - Go Go Yellow Screen (129.51 BPM)
- Alan Cook - Running Away (129.34 BPM)
- Mike Mareen - Lady Ecstasy (129.34 BPM)
Sources
Factual information on this page was researched using the following sources:
- Wikipedia
- Data provided by Discogs.
- MusicBrainz
Release data (year, label, catalog number, country) comes from the original records in the MixPerfect Radio catalog. The text on this page is an original summary based on independently selected factual information; no source text has been reproduced. Facts may contain errors - see the legal information page for the full disclaimer.
